Corsets of women’s during the wars

In this post at fashion stuffs we are going to talk about the corsets of women's in 1940.  

With eighty gowns, ranging from classic and elegant to outrageous—created by celebrated designers Issey Miyake, Kenzo Takada, Rei Kawakubu, Yohji Yamamoto, Junya Watanabe, Jun Takahashi and others—videos of runway shows, artistphotographs, magazines, and ephemera designed by renowned international artists such as Gilbert & George and Cindy Sherman, an exhilarating experience awaits viewers of this extraordinary exhibition.



By the mid-1940s, many women had abandoned the single-piece corset in favor of panties and structured bras that lifted and accentuated the bust line. In 1946, a well-endowed Jane Russell appeared onscreen in a cantilever bra designed by Howard Hughes, prefiguring the bullet-bra 1950s and the reign of the sweater girl. Loose-fitting cardigans were also popular, particularly on college campuses.



This was an explosive new beginning of what is now three decades of innovative design that has in turn influenced and reshaped our Western aesthetics of dress. Curated by Akiko Fukai, director of the Kyoto Fashion Institute, the exhibition showcases the early emphasis on light and shadow, and the increasingly diverse, innovative designs that range from the deconstruction and reinvention of Western couture models to brightly colored designs that are inspired by contemporary street fashion.
   
 The virtual disappearance of French fashion houses during the war led American designers to explore their own creativity. Designers like Bonnie Cashin and Claire McCardell were instrumental in the creation of sportswear, that singularly American look featuring coordinated separates that could be worn in layers or in various combinations. The trend not only gave women increased options and made it appear as if they had more clothes than they actually did, but also blurred the line between couture and ready-to-wear by showing women they could be both chic and comfortable without spending a fortune.

In the 1970s Japanese designers Kenzo Takada and Issey Miyake had already gained recognition in the West, but it is in the 1980s that Japanese designers emerged with an entirely new aesthetic. In the summer of 1983, Rei Kawakubo and Yohji Yamamoto brought forth a stark new aesthetic at the Paris runway shows. Based on monochrome black and white, they presented asymmetric and at times perforated dresses, which loosely described the female silhouette. These designs were recognized as a radical counterproposal to Western notions of the fitted form and gained instant notoriety.




By the late 1940s, women craved a return to glamor and designers obliged with swirling skirts and shimmering evening gowns inspired by film stars like Ingrid Bergman, Barbara Stanwyck and Joan Crawford.

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P.S. Photos have been taken from corsetiere.net/